Attendees has to poay additional to realize access to the Coors Lite Rowdy stage at Kaaboo Texas pageant.
A 3-day “luxurious music pageant” at AT&T Stadium in Arlington that seemed to cater to an older, much less hip crowd, Kaaboo Texas was disappointing in virtually every potential method. After making a reputation for itself in San Diego and the Cayman Islands over the past few years, Kaaboo’s inaugural occasion in Texas over the weekend was overpriced and disorganized.
Requests for day by day attendance numbers haven’t but been responded to, however Friday and Sunday seemed to have notably small crowds. Noticeably more individuals showed up on Saturday, however attendance was never anyplace close to capability.
The bizarre lineup featured ’90s acts which are too embarrassing for anybody to admit to ever liking. And lots of are simply too younger to recollect by-product tunes from the likes of Alanis Morissette, Bush, Collective Soul, Counting Crows, and Rubbish.
The lineup additionally featured acts which are even additional away from their heydays, like Lionel Richie, X, Rick Springfield, Violent Femmes, Eric Burdon & The Animals, The B-52s, Sting, and even Lynyrd Skynyrd. Slightly newer mediocre rock like The Killers and Kid Rock have been also on the invoice, headlining the primary two nights of the pageant.
It’s as if two or three random lineups one would anticipate to see a radio station put collectively on the fairgrounds somewhere in flyover nation have been transported to a massive world class venue.
With comedians like Demetri Martin, Garfunkel and Oates, Heather McDonald, Whitney Cummings, and Fortune Feimster, the comedy stage appeared like a brilliant spot. But Kaaboo Texas managed to destroy this as nicely.
Approaching the entrance to the “Humor Me” tent to catch a few minutes of Dennis Miller’s set, a gaggle of us have been stopped by an employee who made a cross together with her fingers, as if we have been vampires, and stated, “We’re closed.”
Baffled, one man needed to know why he wasn’t allowed to see a show that was part of a pageant he paid to attend. Angrily, the worker defined that anyone who needed to catch a comedy set wanted to point out up early and stand in line because no one will get in after the present begins.
As a music writer who has attended countless music festivals through the years that always included comedy, this was a primary. This is not how music festivals work. Individuals are likely to wander from stage to stage, catching a bit of bit of this and just a little little bit of that. I have by no means heard of such a music pageant locking individuals out of a efficiency or making them stand in line.
And the employees was unprofessional, unorganized, and unhelpful at almost every flip.
Here is a perfect instance: Following instructions to select up my tickets and parking tag at a specific lot outdoors of AT&T Stadium, I arrived and was advised this was not the right place and given extra incorrect info. This occurred two extra occasions. Circling across the large venue, I used to be on my strategy to improper lot quantity 4 once I luckily noticed the tent I needed to examine-in at.
After getting my tickets and parking badge, I inquired concerning the location of the parking zone because it wasn’t the one I had already visited. An worker defined that my lot was truly on the different stadium. After looking a lot of the tons at Globe Life Park to no avail, I found another employee who defined that my lot was truly subsequent to slightly league subject a methods down the street. After parking, a faculty bus shuttled a gaggle of us to AT&T Stadium, however one way or the other managed to drop us off nowhere close to the entrance.
With so many various company sponsors crowding every bit of the scenery and countless totally different “experiences” and ridiculous upgrades that would value hundreds of dollars, Kaaboo Texas was virtually as shamelessly over-commercialized as a concert on the current KISS tour. And that’s saying rather a lot considering that Paul Stanley is actually making an attempt to promote his fans a guitar he plays throughout one music for a whopping $18,000, which doesn’t even embrace a ticket to the present.
One level of rivalry for a lot of was the “Coors Lite Rowdy” stage situated within the “Bask” space. With admission operating at the least $159 for in the future or $299 for all three and with on-website parking beginning at $60 a day, many have been disenchanted that an upgrade was required to see acts like Cash Money and Paul Oakenfield. The “Bask” area did embrace access to a pool, but towels had to be rented.
The local artwork ended up being a vibrant spot. Murals from nicely-recognized artists like JM Rizzi and pop-up reveals from great local galleries like Mary Tomas and Jen Mauldin did not disappoint. “Sacred Alchemy,” an enormous combined media installation close to Metroplex, the primary stage situated contained in the stadium, was simply probably the most visually beautiful part of the pageant.
Comedians like Demetri Martin and Whitney Cummings gave masterful one-hour units, for many who have been allowed to see them. Relevant bands that by accident ended up on this bill — like Acid Dad, St. Paul & the Damaged Bones, and D and Chi — had great performances. Ms. Lauryn Hill might have began an hour late, but she in all probability played the most effective set of the pageant.
And it’s value noting that the levels, inside and out of doors, appeared and sounded nice.
Rain cancelled Chromeo’s DJ set and comedian Jim Breuer on Friday night time, which ended after The Killers’ headlined. But with levels inside or on concrete coated with synthetic grass, there was no mud on Saturday.
With better organization, AT&T Stadium could possibly be a wonderful place for a music pageant, if it could actually find one value attending.